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    On Abortion is the first part of Laia Abril's new long-term project, A History of Misogyny.The work was first exhibited at Les Rencontres in Arles in 2016 and awarded the Prix de la Photo Madame Figaro and the Fotopress Grant.Abril documents and conceptualises the dangers and damage caused by women's lack of legal, safe and free access to abortion.She draws on the past to highlight the long, continuing erosion of women's reproductive rights through to the present-day, weaving together questions of ethics and morality, to reveal a staggering series of social triggers, stigmas, and taboos around abortion that have been largely invisible until now.

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  • The Evolutionary Argument against Naturalism : Context, Exposition, and Repercussions
    The Evolutionary Argument against Naturalism : Context, Exposition, and Repercussions

    Contemporary discussions in metaphysics, epistemology and philosophy of mind are dominated by the presupposition of naturalism.Arguing against this established convention, Jim Slagle offers a thorough defence of Alvin Plantinga’s Evolutionary Argument against Naturalism (EAAN) and in doing so, reveals how it shows that evolution and naturalism are incompatible. Charting the development of Plantinga’s argument, Slagle asserts that the probability of our cognitive faculties reliably producing true beliefs is low if ontological naturalism is true, and therefore all other beliefs produced by these faculties, including naturalism itself, are self-defeating.He critiques other well-known epistemological approaches, including those of Descartes and Quine, and deftly counters the many objections against the EAAN to conclude that metaphysical naturalism should be rejected on the grounds of self-defeat.By situating Plantinga’s argument within a wider context and showing that science and evolution cannot entail naturalism, Slagle renders this most common metaphysical view irrational.As such, the book advocates an important reconsideration of contemporary thought at the intersection of philosophy, science and religion.

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  • Laughter After : Humor and the Holocaust
    Laughter After : Humor and the Holocaust

    Laughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror.Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust.Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since.However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear.This book comes at an important moment in the trajectory of Holocaust memory.As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations.Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah?Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly.More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past.In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape.This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception.Laughter After will appeal to a number of audiences-from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.

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  • Will my friend face any repercussions if I meet up with him in Germany? He is 20 and I am 14.

    It is important to consider the legal age of consent and the laws regarding age differences in relationships in Germany. In Germany, the legal age of consent is 14, so there may not be legal repercussions for meeting up with your friend. However, it is important to consider the social and cultural norms surrounding age differences in relationships, as well as the potential impact on your friend's reputation and social standing. It is always best to seek advice from a trusted adult or legal professional before making any decisions.

  • Is exaggerated toilet humor funny?

    Exaggerated toilet humor can be funny to some people, as humor is subjective. However, it can also be off-putting or offensive to others. It's important to consider the audience and context when using exaggerated toilet humor, as it may not be appropriate for all situations. Ultimately, whether exaggerated toilet humor is funny or not depends on individual taste and sensibilities.

  • Do women find such humor funny?

    Humor is subjective, so it varies from person to person. Some women may find such humor funny, while others may not. It ultimately depends on individual preferences and sensibilities. It's important to be mindful of different perspectives and to respect others' boundaries when it comes to humor.

  • Do you find this humor funny?

    As an AI, I do not have personal feelings or emotions, so I do not find humor funny. However, humor is subjective and can vary greatly from person to person. What one person finds funny, another may not. It ultimately depends on individual preferences and sense of humor.

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  • Do you find such black humor funny?

    As an AI language model, I don't have personal feelings or opinions. However, I can tell you that humor is subjective and what one person finds funny, another might not. Black humor often involves making light of serious or taboo subjects, and some people find it funny while others may find it offensive. It's important to be mindful of the audience and context when using black humor.

  • What funny audiobooks with black humor are there?

    Some funny audiobooks with black humor include "Me Talk Pretty One Day" by David Sedaris, "Let's Pretend This Never Happened" by Jenny Lawson, and "Bossypants" by Tina Fey. These audiobooks are known for their witty and sarcastic humor, often poking fun at everyday situations and personal experiences. They are great choices for listeners looking for a good laugh with a touch of dark humor.

  • What funny movies with black humor are there?

    Some funny movies with black humor include "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb," a satirical film about nuclear war; "Fargo," a dark comedy about a kidnapping gone wrong; and "In Bruges," a crime comedy about two hitmen hiding out in Belgium. These movies use dark and often morbid humor to explore serious and controversial topics, making them both funny and thought-provoking.

  • Which target audience finds Mario Barth's humor funny?

    Mario Barth's humor tends to resonate with a wide audience, but it primarily appeals to young adults and adults who enjoy observational comedy and relatable humor. His jokes often touch on everyday experiences, relationships, and cultural observations, making his comedy accessible to a broad range of people. Additionally, fans of stand-up comedy and those who appreciate lighthearted, playful humor are likely to find Mario Barth's comedy funny.

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